While she was supreme in the large dramatic mezzo roles of Verdi, she also sparkled in the florid fields of bel canto, employing her spirited personality to breathe life into Rossini's Isabella, Rosina, and Cenerentola.
Five to seven years younger than her great predecessor, Ebe Stignani (depending on whose information is used for Stignani's birth date) and 12 years older than Fedora Barbieri (who conceived an intense dislike for her), Simionato proved hard to categorize. Although she gained recognition very slowly, Giulietta Simionato came to be regarded as the leading Italian mezzo-soprano from the 1950s until the time of her retirement in 1966.
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